September 2013

Hey Labfans, its time for UAD – LA-2A Silver! If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Input steps of compression, this is the FR interaction from min compression to max, we also validate oversampling based on the steepness of 20k. Yes noise is absent, but that is not a bad thing but something […]

Hey Labfans, today we are doing a very special series of threads that will  help us evaluate encoding/decoding lossy media formats. We will use Sonnox Fraunhofer Pro-Codec to achieve this. The pluggin is one of a kind. It offers real-time streaming (and offline) of the most common lossy and lossless media formats. For more information visit :http://www.sonnoxplugins.com/pub/plugins/products/Pro-Codec-Product_Info.htm From A

Hey Labfans, its time for UAD – 1176 Classic Limiter Plug-In Collection Settings above If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/     FR Here we can see some action, that is maessured in input steps from mix to max In general the response is quite flat, also based on the steepness of

Hey Labfans, today we are doing a very special series of threads that will  help us evaluate encoding/decoding lossy media formats. We will use Sonnox Fraunhofer Pro-Codec to achieve this. The pluggin is one of a kind. It offers real-time streaming (and offline) of the most common lossy and lossless media formats. For more information visit :http://www.sonnoxplugins.com/pub/plugins/products/Pro-Codec-Product_Info.htm From A

Hey Labfans, its time for our first analogue modeled reverb! Overloud – Springage Introduction: Overloud introduces a new reference in the simulation of spring reverbs. Based on a mixed convolution and algorithmic technology, Overloud SpringAge can give the advantages of the two worlds. If you have never been able to get the real tone and dynamic of a spring reverb

Hey Labfans, its time for UAD – EQP – 1A Pultec Passive EQ Settings above If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Quite smooth Phase Phase is nominal THD/THD+N Messured in input steps We can see that THD content exists, its not much but its there. In gneral terms the thd relationship

Hey Labfans, its time for UAD. Above are the Neves 1073 settings , pushed hard Exclusively Neve licensed/UA modeled 1073 EQ Revered 3-band “Wessex A88/8014” EQ High Shelving, Parametric Mid, Low Shelving & HPF Requires a UAD DSP Accelerator Card or Apollo Interface available from authorized dealers worldwide  If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Well

Hey Labfans, its time for UAD. Above are the Harrison settings I maxed out everything  If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ Plugin Description: Plug-in modeled from Bruce Swedien’s own Harrison 4032C console Harrison licensed and authenticated Colorful 4-band EQ with high and low cut filters Requires a UAD DSP Accelerator Card or Apollo Interface available

Hey Labfans! Today we will be looking at Voxengo – Shinechilla, a description from the vendor of the plugin: Voxengo Shinechilla is an experimental creative sound effect plug-in for professional audio and sound production applications.  Shinechilla allows you to generate and blend 2nd, 3rd and 4th harmonics with the original dry sound.  The harmonic generation process