Hey Labfans! Today I will be analysing the 550 A/B from Waves. Lets get to it! Settings for the meassurment of 550A (Image Left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Right away we can observe there is some minimal fr content, too minimal in my opinion. Noise was very low […]
Waves – API 550A + API 550B Read More »
Hey Labfans! Today I’ll be analyzing Slates Digital VCC Ψ! Here are the settings utilized (No oversampling)(image left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Right of the bat, again noise modeling! The Fr looks like this. Next is the fr from minimum Drive to Max Drive! FR DR
Slate Digital – VCC -Ψ Read More »
Hey Labfans! Today I’ll be analyzing Slates Digital VCC 4k! Here are the settings utilized (No oversampling) (image left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Right away we can observe that there is noise modeling, other than that we can also observe that the FR is not that
Slate Digital – VCC -4K Read More »
Hello Labfans! Today we will be analyzing the Stressor from SOR 8. This is not a commercial plugin but rather a freeware plugin, already accepting donations, with almost 150 thousand downloads, as the developer claims. Let me begin with two parts from the developer description of the plugin: Modeled Classic Compressor plugin Based on acclaimed Distressor® EL-8 Compressor,
Hey Labfans, this is the third time i’m starting to type this post, since the amazing chrome just likes to crash…..so: Waves CLA-2a Let me give you a point of whats up with the CLA series. Waves decided to model CLAs Compressors in order to capture their sonics & behavior, why would they do that
Waves – CLA 2A [UPDATE] Read More »
Hey Lab fans! 🙂 Today I’m gonna focus on the Waves ssl masterbuss comp, lets see! Settings used for the measurement(Image Left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Right away we can observe that there is noise, that is why the fr looks like this, other than that its flat.
Waves – SSL G-Master Bus Compressor Read More »
Today lets see whats up with the ssl modeling! Here are the settings used for the analysis(Image Left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Woot !? well to begin with, the response is flat, but when you dial the attack from 0.1 to 30 this phenomenon occurs (blue is
SSL DUENDE – Stereo Buss Compressor Read More »
Again I will start with.. ” Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simplicity itself to use. Now you can
Focusrite – Midnight Compressor Read More »
I will start this Analysis/Review with the description from the Focusrite website: ” Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them
Focusrite – Midnight EQ Read More »
Here is a quality analysis of Cocko’s ReaComp alongside a comparison to the previous thread of Slate Digital VBC. If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ ReaComp – Settings I’ve tryed to match the VBC & SSL settings FR Reacomp Well as expected, flat! We need to expect a flat DSC right
SPECIAL – How digital looks like !? (PART 1) Read More »
