Hello Labfans! Today we will be analyzing the Stressor from SOR 8. This is not a commercial plugin but rather a freeware plugin, already accepting donations, with almost 150 thousand downloads, as the developer claims. Let me begin with two parts from the developer description of the plugin: Modeled Classic Compressor plugin Based on acclaimed Distressor® EL-8 Compressor, […]
Hey Labfans, this is the third time i’m starting to type this post, since the amazing chrome just likes to crash…..so: Waves CLA-2a Let me give you a point of whats up with the CLA series. Waves decided to model CLAs Compressors in order to capture their sonics & behavior, why would they do that
Waves – CLA 2A [UPDATE] Read More »
Hey Lab fans! 🙂 Today I’m gonna focus on the Waves ssl masterbuss comp, lets see! Settings used for the measurement(Image Left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Right away we can observe that there is noise, that is why the fr looks like this, other than that its flat.
Waves – SSL G-Master Bus Compressor Read More »
Today lets see whats up with the ssl modeling! Here are the settings used for the analysis(Image Left) If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Woot !? well to begin with, the response is flat, but when you dial the attack from 0.1 to 30 this phenomenon occurs (blue is
SSL DUENDE – Stereo Buss Compressor Read More »
Again I will start with.. ” Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them simplicity itself to use. Now you can
Focusrite – Midnight Compressor Read More »
I will start this Analysis/Review with the description from the Focusrite website: ” Focusrite’s new Midnight plug-in suite takes two of the most iconic Focusrite modules of all time – the ISA110 equaliser and ISA130 compressor; models their sound exactly with powerful DSP technology; and gives them elegant, functional on-screen front panels that make them
Focusrite – Midnight EQ Read More »
Here is a quality analysis of Cocko’s ReaComp alongside a comparison to the previous thread of Slate Digital VBC. If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ ReaComp – Settings I’ve tryed to match the VBC & SSL settings FR Reacomp Well as expected, flat! We need to expect a flat DSC right
SPECIAL – How digital looks like !? (PART 1) Read More »
Testing The VBC Pluggins from Slate Digital If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ Pic represents settings used for all the tests above Frequency ResponseThe test result is pretty strait forward, I think for this one no need to explain. Just in case, this is your ‘EQ curve’ Phase relationship Here
Slate Digital – VBC – FG GREY Read More »
The plugin is tested on CLA Rock Drive Preset. This thread consists of animated graphs shocasing the scaling of the ‘drive’ knob from 0 to 10 in steps of +1 If you are new to the lab post ,read this https://www.gearevu.littlefishaudio.com/must-read-welcome-to-my-lab-updated/ FR Here we can see that the fr changes dependend on the drive level.
Slate Digital – VBC – FG RED Read More »
In this instance we are going to try something new, instead of messuring the model while compressing, we will messure it with no compression, simply passing the audio through the plugin in its default state. This way we will observe how the analogue emulation behaves on a ‘bypassed’ way! Here are the default settings above.
Slate Digital – VBC – FG MU Read More »
