FilterFreak
Resonant Analog Filter
Fat analog sweeps, pounding filter rhythms, big hardware sound – with a dual version for double the analog attitude.
$149
$149
Try it free
Are you searching for smooth, silky, analog filter sweeps? Or are grimy, resonant squelches more your style? Nothing adds character to a track faster than a great filter, and FilterFreak can do it all. From funky envelope follower sounds reminiscent of the classic Mutron, to wide resonant LFO sweeps like the Sherman Filterbank. From timeless wah-wah tones to campy sci-fi sample-and-hold effects.
Whether you’re controlling it manually, or locking it to tempo for rhythmic effects, FilterFreak delivers the warm, fat, resonant tones you crave. And we’ve also added exclusive features you won’t find in the classics, so you can create practically any filter effect you can dream up.
Analog Sound
FilterFreak faithfully recreates the sounds of classic analog resonant filters. Twist the frequency knob for smooth retro synth sweeps. Crank up the resonance to add some edge, or even push the filter into self-oscillation. And when you drive it hard, FilterFreak responds by breaking up in a gritty and pleasing way, just like hardware.
We’ve included seven different analog saturation “styles” that range from warm or crunchy distortion to pumping compression. From subtle to extreme, FilterFreak packs a ton of analog magic into a convenient digital package.
Rhythm and Groove
While tweaking knobs is always fun, FilterFreak also includes rhythm and groove tools that add motion to your tracks automatically. Turn on Rhythm Mode and flip the MIDI switch to create auto-wah effects that sync to your DAW.
Choose a simple note value like eighths or sixteenths, select from a library of pre-made rhythms, or even design your own rhythmic patterns using the Rhythm Editor. Then, to perfectly match the feel of your tune, grab the Groove knob and add some swing or shuffle to drop it in the pocket. For effects that move with the music, choose the Envelope or ADSR modes to trigger the filter with incoming audio. You’ll be amazed by how much one plug-in can transform the feel of your tracks.
Double Your Pleasure
FilterFreak actually includes two separate plug-ins — FilterFreak 1 and 2. Load up FilterFreak 1 for a single, simple filter. But if you want more power, fire up FilterFreak 2. It gives you two analog filters side by side that can be used in series or parallel. Combining two filters with FilterFreak’s deep modulation options gives you a huge range of moving sounds to explore.
Capture the sound of classic resonant filters, with extended control and flexibility
Funk up guitar, fatten bass, reshape drums, sweep synths and freak out vocals
Choose from one filter, or two that can be used in series or parallel
Select highpass, lowpass, bandpass and band reject modes with 2 to 8 poles
Add synth-like resonant sweeps or classic wah-wah tones to your tracks
Create funky auto-wah, envelope follower and sample-and-hold effects
Grunge things up with 7 different analog saturation styles
Construct intricate rhythmic filter sequences with the Rhythm Editor
Design your own LFO shapes with the Shape Editor
“FilterFreak can do the most amazing things to make something simple sound interesting.” — Tom Elmhirst (Adele, Amy Winehouse, The Black Keys, Florence & The Machine)
“I used Filter Freak on about eight of the nine tracks on the record.” – Jay Gordon – Orgy
“FilterFreak is a winner. Simply put, it sounds great.” – EQ Magazine
“…truly jaw-dropping, goose-pimple-inducing levels of creative inspiration and excitement.” – Remix Magazine
AAX Native, AAX AudioSuite, VST, and Audio Units (AU)
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Pro Tools (10.3.5 or later), Live, Cubase, Nuendo, Sonar, Logic, Digital Performer
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Soundtoys, FilterFreak, FilterFreak1, FilterFreak2 and their respective logos are all trademarks of Soundtoys, Inc.
*All other trademarks are the property of their respective owners, which are in no way associated or affiliated with Soundtoys. These trademarks are used only for historical reference or to identify products whose sounds or tone were studied in the development of FilterFreak.
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