QUANTUM LEAP STORMDRUM 2 is the sequel to QUANTUM LEAP STORMDRUM (one of the best selling acoustic percussion based virtual instruments ever released).
QUANTUM LEAP SD2 is over twice the size of the original Stormdrum, featuring over 12 Gigabytes of ALL NEW (except the included Metallica black drum kit from Ministry Of Rock) acoustic percussion instruments. The unique selection of drums and percussion included exceeds all other collections. As a sequel to STORMDRUM it sets new standards that will exceed the expectations of everyone who owns a QUANTUM LEAP product.
Included is the new advanced EASTWEST PLAY 5 sample engine offering both 64-bit support (
download here
). For 32-bit compatibility, please use PLAY 4.3.5 (
download here ).
Drawing from the secret collections of three percussionists, QUANTUM LEAP SD2 – THE NEXT GENERATION features some of the most amazing, and unique multi-sampled percussion imaginable, all recorded with vintage Neumann microphones in the famous EASTWEST STUDIO 1 (formally United-Western) for that unmistakable Hollywood sound-stage vibe and a sound far beyond any other commercial percussion collection.
Produced by NICK PHOENIX
Includes over 12 Gigabytes of percussion insanity!
Includes 100+ MIDI Performance files
Includes PLAY advanced 64-bit software engine
Watch the Trailer
Listen to Demos
Watch the Tutorial
Read the Manual
Beautifully recorded, there is a stunning range of instruments on offer. The big sounds are absolutely huge-powerful and punchy-and the smaller ones are suitably delicate and ethereal. Providing your system is up to it, you’ll be creating scores that people will never know have been made not on a Hollywood soundstage, but on a computer.
— MUSIC TECH
BUY NOW
QUANTUM LEAP Stormdrum 2 – THE NEXT GENERATION takes the concept to a whole new level. Studio 1 at the new EASTWEST STUDIOS (formally United-Western) is one of the best sounding percussion recording studios anywhere. It is very similar to the top Hollywood sound-stages, but with a more refined sound. The studio has one of the best mic collections in the world, and rare vintage recording equipment that is sonically superior to any I have used previously. Digital transfers were done through very expensive Meitner converters.
I got access to some fantastic percussion collections and purchased everything I could. I even contacted Remo and had them build me the largest floor tom ever built (42″x42″ +legs)! As a teenager, I remember seeing Mickey Hart playing some gigantic Remo rack toms with the Grateful Dead. That sound always stuck with me. SD1 had a cool patch called “Thunder Ensemble”. This was six musicians hitting large drums in unison in a warehouse. SD2 has the “Earthquake Ensemble”, which is eleven musicians hitting huge, large and sometimes smaller drums in unison in EASTWEST studio 1.
There are many gems in SD2 and lots of subtle beautiful sounds as well. I collected many small Tibetan bells over the years and you’ll find these together in one beautiful patch. Troels Follman contributed his hang-drum samples which are very unique. Other unique instruments are the Whale Drum, Giant Tongue Drum and Octaplus 9 action toms. The sound design percussion is pretty special too, as is the Glitched Electronic Percussion. There is plenty of very detailed conventional percussion included also.
Generally there is a lot of velocity switching going on and some round robin (alternate) sample switching. The sounds are usually organized with the middle of the drum hits on the lowest keys, and as you move up the keys, the hits move to the outside of the drum. Use CC11 volume and CC12 pan inside your sequencer, because they work per midi channel, unlike CC7 and CC10 which control the entire instance of PLAY’s volume and pan. The mod-wheel controls a fantastic filter which can give the sounds more life and sound design options.
You may want to add some reverb on top of the natural sound-stage ambience, as is typically done in film-scores. PLAY’s convolution reverb is perfect for this. The delay is useful also. Use the stereo width control to widen the sound-stage, and channel sourcing to get a mono signal for exact placement in the stereo field. You’ll find that the left and right channels often sound quite different, which is useful.
QUANTUM LEAP SD2 is a new and improved concept that is destined to become the new standard for years to come.
