Eventide 2016 Stereo Room Natural & distinctive room reverb

The Art of Reverb
The 2016 Stereo Room reverb plug-in was crafted to simulate a great sounding ‘room’. Delay lengths, reflections, and other properties of the virtual room were carefully considered in the modeling. This combination of art and science results in a natural, yet distinctive sounding reverb. The simple intuitive controls allow you to fine tune the perfect space for your sound – whether it’s a dark hallway or a bright studio vocal room.
Originally found on the SP2016 rackmount, which has been used on hit records for decades, the 2016 Stereo Room plug-in features hand crafted artist presets from Joe Chiccarelli, George Massenburg, and Dave Pensado. Capable of both lush and subtle sounds, it’s also easy on your CPU. Use multiple instances to bring out the character of different parts of a track – 20 instances in one session? Go for it!

Features

Natural and distinctive sounding room reverb
Simple, intuitive parametric controls that prevent unnatural results
Complex early reflections resembling those of an actual great-sounding room
Smooth decay tail that sits in the mix
Novel Position control for precise mic placement in the virtual room
Diffusion alters the character of the space – from sharp to rich
Dedicated EQ controls to further sculpt your sound
Low CPU hit – use as many instances as you want!

Audio

2016 Stereo Room – Eventide – Bass – Dry2016 Stereo Room – Eventide – Bass – Nice Stereo Room2016 Stereo Room – Eventide – Bass – Strings2016 Stereo Room – Eventide – Conga – Dry2016 Stereo Room – Eventide – Conga – Bongos and Congas2016 Stereo Room – Eventide – Conga – Perc2016 Stereo Room – Eventide – Drums – Dry2016 Stereo Room – Eventide – Drums – Behind the Hall2016 Stereo Room – Eventide – Drums – John Jon Drums2016 Stereo Room – Eventide – Electronic Drums – Dry2016 Stereo Room – Eventide – Electronic Drums – Dave Pensado Reverb2016 Stereo Room – Eventide – Electronic Drums – Large Room2016 Stereo Room – Eventide – Female Vocal – Dry2016 Stereo Room – Eventide – Female Vocal – Lead Vocal GM2016 Stereo Room – Eventide – Female Vocal – Vocal2016 Stereo Room – Eventide – Guitar – Dry2016 Stereo Room – Eventide – Guitar – Guitar Room Reverb2016 Stereo Room – Eventide – Guitar – Guitar Room Reverb 22016 Stereo Room – Eventide – Keyboard – Dry2016 Stereo Room – Eventide – Keyboard – Grand Piano2016 Stereo Room – Eventide – Keyboard – Subtle Stereo2016 Stereo Room – Eventide – Lead Guitar – Dry2016 Stereo Room – Eventide – Lead Guitar – Fiddle Reverb2016 Stereo Room – Eventide – Lead Guitar – Guitar Solo Room2016 Stereo Room – Eventide – Male Vocals – Dry2016 Stereo Room – Eventide – Male Vocals – Lead Vocal2016 Stereo Room – Eventide – Male Vocals – Vocal Chamber2016 Stereo Room – Eventide – Synth – Dry2016 Stereo Room – Eventide – Synth – Synth Pad2016 Stereo Room – Eventide – Synth – West Coast Ballad

Videos

Own the Legend

Since its debut in 1982 as the go-to reverb in the SP2016 rack effects unit, Eventide’s Stereo Room algorithm has been the gold standard for a room reverb that sits nicely in a mix and positions your sound in an acoustical space without washing out the integrity of the source. This is why Allen Sides, Mick Guzauski and Jack Douglas have been proud adopters and to this day it’s still in use in world-class studios like Ocean Way.

“The algorithms naturally simulate every aspect of the sound of a real enclosure – from the complex early reflections, to the natural way in which the echo density increases with time, to the smooth decay of the reverb tail.”
— Tony Agnello, Designer of the 2016 Stereo Room